Example of four recent works
Auto door I, II, III
Overpriced Custard Tart
Cloudcunt
Chair I, II
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Auto door I, II, III
Auto door I, II, III is a work about inexplicable acts of violence set in Leeds. It situates the poetic work as a script from which to bodily scope or project the artist’s own form. The process holds three parts: Text (the Body), Photographic Image (the Index) and Video (the Voice). The text is a sculptural medium from which the body takes form. This is captured as photographic image, an index; she’s referenced. Finally, the video takes the body and the index, adds voice and the person is realised. To find her, you look for reference.
Auto door I
Auto door II
Auto door III
Auto door I, II, III is currently showing at Leeds City Museum and online at Leeds Summer Group Show
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Overpriced Custard Tart
Overpriced Custard Tart is from my forthcoming pamphlet The Bell Tower (The Emma Press).
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Cloudcunt
Cloudcunt was shortlisted for the National Poetry Competition 2020 from 18,113 entries. Judges included Neil Astley, Editor at Bloodaxe Books. It will feature in my forthcoming pamphlet The Bell Tower (The Emma Press).
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Chair I, II
Chair I, II, is a volumed work in the series For Reference. Like Auto door I, II, III, Chair I, II situates the poetic work as a script from which to bodily scope or project the artist’s own form. The text is a sculptural medium from which the body takes form. This is captured as photographic image, an index; she’s referenced. To find her, you look for reference.
Chair I
Chair II
